169 BPM
169 beats per minute is one beat every 355.03 ms. Below: bar and phrase lengths, delay and reverb times, LFO rates, the genres that use this tempo, and the pitch change needed to mix in from nearby tempos. Start the metronome or tap along to a track to check it is really 169.
Updated 2026-10-17
169 BPM
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Beat, bar and phrase lengths at 169 BPM
At 169 BPM one beat lasts 355.03 ms and a 4/4 bar lasts 1.42 s. The beat is not a whole number of milliseconds, so round to the nearest 0.1 ms when you type times in by hand, or use your plugin's tempo sync. That is 2.817 beats per second, or 42.25 bars of 4/4 per minute.
Dance tracks are usually arranged in 8-, 16- and 32-bar phrases. At 169 BPM a 16-bar phrase takes 22.72 s and a 32-bar intro or outro takes 45.44 s. That is 9.28 s shorter than the same 16 bars at 120 BPM. A six-minute track at this tempo contains about 254 bars.
| Length | Time | Milliseconds |
|---|---|---|
| 1 beat | 0.355 s | 355.03 ms |
| 1 bar (4 beats) | 1.42 s | 1420.12 ms |
| 4 bars | 5.68 s | 5680.47 ms |
| 8 bars | 11.36 s | 11360.95 ms |
| 16 bars | 22.72 s | 22721.89 ms |
| 32 bars | 45.44 s | 45443.79 ms |
| 64 bars | 1:30.9 min | 90887.57 ms |
Delay times at 169 BPM
Straight values follow the beat; dotted values are 1.5 times as long and triplets are two-thirds as long. At 169 BPM the popular dotted-eighth delay is 266.27 ms and a quarter-note slapback is 355.03 ms. The Hz column is the matching rate for an LFO, tremolo or auto-pan synced to the straight note.
| Note | Straight | Dotted | Triplet | Rate (straight) |
|---|---|---|---|---|
| 1/1 (one 4/4 bar) | 1420.12 ms | 2130.18 ms | 946.75 ms | 0.704 Hz |
| 1/2 | 710.06 ms | 1065.09 ms | 473.37 ms | 1.408 Hz |
| 1/4 (one beat) | 355.03 ms | 532.54 ms | 236.69 ms | 2.817 Hz |
| 1/8 | 177.51 ms | 266.27 ms | 118.34 ms | 5.633 Hz |
| 1/16 | 88.76 ms | 133.14 ms | 59.17 ms | 11.267 Hz |
| 1/32 | 44.38 ms | 66.57 ms | 29.59 ms | 22.533 Hz |
Reverb times at 169 BPM
A common way to keep a reverb in time is to tie its pre-delay to a short note value and let the tail fade within a longer one. At 169 BPM a 1/64-note pre-delay is 22.19 ms and a 1/32-note pre-delay is 44.38 ms.
The decay control on most reverbs is RT60, the time it takes the tail to fall by 60 dB, so the audible tail ends earlier than the number shown. Treat these values as starting points and adjust by ear.
| Reverb character | Pre-delay | Decay (RT60) |
|---|---|---|
| Tight room on drums | 22.19 ms | 355.03 ms |
| Medium plate on vocals | 44.38 ms | 710.06 ms |
| Large hall or pad wash | 44.38 ms | 1420.12 ms |
| Ambient tail over two bars | 88.76 ms | 2840.24 ms |
Genres at 169 BPM
169 BPM is a fast tempo that is often felt at half-time. It sits in the middle of the drum and bass range (160–180) and near the low end of the hardcore/gabber range (160–200).
Heard at half-time (84.5 BPM) it lines up with ambient/downtempo, hip-hop and reggae/dub. A detector or a tag in your library may report either reading, so check by ear which one the drums suggest.
These ranges are common practice rather than rules: genre is decided by rhythm, sound and scene as much as by tempo, and plenty of tracks sit outside the usual numbers.
- Drum and bass: typically 160–180 BPM — modern releases mostly sit at 170–176; often felt at half-time.
- Hardcore/gabber: typically 160–200 BPM — speedcore and some gabber go well beyond 200.
Mixing into 169 BPM
To bring a track at another tempo up or down to 169 BPM, move its pitch fader by the percentage below. Without key lock the key moves too, by the number of semitones shown; about 6 % is one semitone, so changes beyond that are where key lock (master tempo) starts to matter.
A ±8 % pitch fader on a track at 169 BPM reaches 155.5–182.5 BPM; a ±16 % range reaches 142–196 BPM.
| Track tempo | Pitch change to reach 169 | Key shift without key lock |
|---|---|---|
| 163 BPM | +3.68 % | +0.63 st |
| 165 BPM | +2.42 % | +0.41 st |
| 167 BPM | +1.2 % | +0.21 st |
| 168 BPM | +0.6 % | +0.1 st |
| 170 BPM | −0.59 % | −0.1 st |
| 171 BPM | −1.17 % | −0.2 st |
| 173 BPM | −2.31 % | −0.4 st |
| 175 BPM | −3.43 % | −0.6 st |
Half-time, double-time and nearby tempos
Half-time of 169 BPM is 84.5 BPM and double-time is 338 BPM.
338 BPM is outside the 60–200 range of these pages; the half/double-time converter works with any value.
84.5 BPM falls between two whole tempos, so the nearest pages, 84 and 85 BPM, are linked instead.
Each 1 BPM step at this tempo changes the beat by about 2.09 ms, so neighbouring tempos are close enough to beatmatch with a small pitch move.
Frequently asked questions
- How many milliseconds is one beat at 169 BPM?
- One beat (a quarter note) at 169 BPM is 60,000 ÷ 169 = 355.03 ms. A 4/4 bar is four beats, 1420.12 ms.
- What is the dotted eighth delay time at 169 BPM?
- A dotted 1/8 delay at 169 BPM is 266.27 ms: an eighth note (177.51 ms) multiplied by 1.5. A straight quarter-note delay is 355.03 ms and a quarter-note triplet is 236.69 ms.
- What genre is 169 BPM?
- Drum and bass and hardcore/gabber commonly use 169 BPM. Genre ranges overlap, so the drum pattern and sound decide the style more than the number does.
- What is 169 BPM in Hz?
- 169 BPM is 2.8167 Hz when one cycle equals one beat. An LFO synced to one bar runs at 0.7042 Hz, and one synced to sixteenth notes at 11.267 Hz.