148 BPM
148 beats per minute is one beat every 405.41 ms. Below: bar and phrase lengths, delay and reverb times, LFO rates, the genres that use this tempo, and the pitch change needed to mix in from nearby tempos. Start the metronome or tap along to a track to check it is really 148.
Updated 2026-10-17
148 BPM
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Beat, bar and phrase lengths at 148 BPM
At 148 BPM one beat lasts 405.41 ms and a 4/4 bar lasts 1.622 s. The beat is not a whole number of milliseconds, so round to the nearest 0.1 ms when you type times in by hand, or use your plugin's tempo sync. That is 2.467 beats per second, or 37 bars of 4/4 per minute.
Dance tracks are usually arranged in 8-, 16- and 32-bar phrases. At 148 BPM a 16-bar phrase takes 25.95 s and a 32-bar intro or outro takes 51.89 s. That is 6.05 s shorter than the same 16 bars at 120 BPM. A six-minute track at this tempo contains about 222 bars.
| Length | Time | Milliseconds |
|---|---|---|
| 1 beat | 0.405 s | 405.41 ms |
| 1 bar (4 beats) | 1.622 s | 1621.62 ms |
| 4 bars | 6.486 s | 6486.49 ms |
| 8 bars | 12.97 s | 12972.97 ms |
| 16 bars | 25.95 s | 25945.95 ms |
| 32 bars | 51.89 s | 51891.89 ms |
| 64 bars | 1:43.8 min | 103783.78 ms |
Delay times at 148 BPM
Straight values follow the beat; dotted values are 1.5 times as long and triplets are two-thirds as long. At 148 BPM the popular dotted-eighth delay is 304.05 ms and a quarter-note slapback is 405.41 ms. The Hz column is the matching rate for an LFO, tremolo or auto-pan synced to the straight note.
| Note | Straight | Dotted | Triplet | Rate (straight) |
|---|---|---|---|---|
| 1/1 (one 4/4 bar) | 1621.62 ms | 2432.43 ms | 1081.08 ms | 0.617 Hz |
| 1/2 | 810.81 ms | 1216.22 ms | 540.54 ms | 1.233 Hz |
| 1/4 (one beat) | 405.41 ms | 608.11 ms | 270.27 ms | 2.467 Hz |
| 1/8 | 202.7 ms | 304.05 ms | 135.14 ms | 4.933 Hz |
| 1/16 | 101.35 ms | 152.03 ms | 67.57 ms | 9.867 Hz |
| 1/32 | 50.68 ms | 76.01 ms | 33.78 ms | 19.733 Hz |
Reverb times at 148 BPM
A common way to keep a reverb in time is to tie its pre-delay to a short note value and let the tail fade within a longer one. At 148 BPM a 1/64-note pre-delay is 25.34 ms and a 1/32-note pre-delay is 50.68 ms.
The decay control on most reverbs is RT60, the time it takes the tail to fall by 60 dB, so the audible tail ends earlier than the number shown. Treat these values as starting points and adjust by ear.
| Reverb character | Pre-delay | Decay (RT60) |
|---|---|---|
| Tight room on drums | 25.34 ms | 405.41 ms |
| Medium plate on vocals | 50.68 ms | 810.81 ms |
| Large hall or pad wash | 50.68 ms | 1621.62 ms |
| Ambient tail over two bars | 101.35 ms | 3243.24 ms |
Genres at 148 BPM
148 BPM is in the up-tempo, high-energy range. It sits near the upper end of the techno range (125–150) and near the low end of the hardstyle range (145–160).
Heard at half-time (74 BPM) it lines up with ambient/downtempo, hip-hop and reggae/dub. A detector or a tag in your library may report either reading, so check by ear which one the drums suggest.
These ranges are common practice rather than rules: genre is decided by rhythm, sound and scene as much as by tempo, and plenty of tracks sit outside the usual numbers.
- Techno: typically 125–150 BPM — from restrained 125 to fast, hard styles near 150.
- Hardstyle: typically 145–160 BPM — most releases sit near 150.
Mixing into 148 BPM
To bring a track at another tempo up or down to 148 BPM, move its pitch fader by the percentage below. Without key lock the key moves too, by the number of semitones shown; about 6 % is one semitone, so changes beyond that are where key lock (master tempo) starts to matter.
A ±8 % pitch fader on a track at 148 BPM reaches 136.2–159.8 BPM; a ±16 % range reaches 124.3–171.7 BPM.
| Track tempo | Pitch change to reach 148 | Key shift without key lock |
|---|---|---|
| 142 BPM | +4.23 % | +0.72 st |
| 144 BPM | +2.78 % | +0.47 st |
| 146 BPM | +1.37 % | +0.24 st |
| 147 BPM | +0.68 % | +0.12 st |
| 149 BPM | −0.67 % | −0.12 st |
| 150 BPM | −1.33 % | −0.23 st |
| 152 BPM | −2.63 % | −0.46 st |
| 154 BPM | −3.9 % | −0.69 st |
Half-time, double-time and nearby tempos
Half-time of 148 BPM is 74 BPM and double-time is 296 BPM.
296 BPM is outside the 60–200 range of these pages; the half/double-time converter works with any value.
Each 1 BPM step at this tempo changes the beat by about 2.72 ms, so neighbouring tempos are close enough to beatmatch with a small pitch move.
Frequently asked questions
- How many milliseconds is one beat at 148 BPM?
- One beat (a quarter note) at 148 BPM is 60,000 ÷ 148 = 405.41 ms. A 4/4 bar is four beats, 1621.62 ms.
- What is the dotted eighth delay time at 148 BPM?
- A dotted 1/8 delay at 148 BPM is 304.05 ms: an eighth note (202.7 ms) multiplied by 1.5. A straight quarter-note delay is 405.41 ms and a quarter-note triplet is 270.27 ms.
- What genre is 148 BPM?
- Techno and hardstyle commonly use 148 BPM. Genre ranges overlap, so the drum pattern and sound decide the style more than the number does.
- What is 148 BPM in Hz?
- 148 BPM is 2.4667 Hz when one cycle equals one beat. An LFO synced to one bar runs at 0.6167 Hz, and one synced to sixteenth notes at 9.867 Hz.